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Toninho Horta - Igreja do Pilar

Gokart Video Site
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Toninho Horta e Orquestra Fantasma Nelson Faria - Guitarra Lena Horta - Flauta Andre Dequech - Piano e Teclados Paulinho Braga - Bateria Yuri Popoff - Baixo Wanderlei Silva - Percussão Convidado Especial Nivaldo Ornelas - Sax Tenor e Soprono retirado da comunidade Minasom: http://www.orkut.com/Community...

Channel: Music
Uploaded: November 30, 1999 at 12:00 am
Author: luccabf

Length: 06:34
Rating: 5.00
Views: 17166

Tags: clube  da  esquina  fantasma  horta  milton  nascimento  orquestra  toninho  

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Video Comments

gooliver7 (November 30, 1999 at 12:00 am)
Tu é um gênio Toninho, marcou a musica brasileira mesmo! Deus abençoá você e sua arte!
bungholio80 (November 30, 1999 at 12:00 am)
Wow this is amazing! I kinda wish he didn't sing tho lol, but this is so beautiful I love it.
Kailas108 (November 30, 1999 at 12:00 am)
Precioso este tema de Toninho ! Viva Brasil ! I would have like to see Toninho playing with Pat Metheny "Manuel O Audaz" ...!
abadedaniel (November 30, 1999 at 12:00 am)
vc é o maximo
richardloyy (November 30, 1999 at 12:00 am)
MINAS TEM Q VIVER.
FLAVIOLSQ (November 30, 1999 at 12:00 am)
Infelismente um músico como ele, não tem o espaço que merece neste nosso Brasil... E como ele temos tantos...Paulinho da Viola, Almir Sater, Egberto Gismonti...
MaestroCanedo (November 30, 1999 at 12:00 am)
Pat loves Belo Horizonte, my city or our city, 'cause Toninho was born hier too. The Toninho/Clube da Esquina's influences is real and Pat ever saw this, no problem. Pat came hier and at the beginning of the show he saw "I can't believe: I'm Belo Horizonte; hier ist the best music of the world"! He plays all night, at the next day, and the teatro people couldn't stop him to play. (the Café Calls Status)
waldirjf2810 (November 30, 1999 at 12:00 am)
É, realmente, muito bom ouvir Toninho Horta. É um som transcedente, envolvente, falando diretamente à alma do indivíduo. Enfim, é o Brasil mostrando a cara; é Minas Gerais se esnobando.
cbmuzik (November 30, 1999 at 12:00 am)
I agree. Pat Metheny, though heavily influenced by Toninho, have different styles entirely. To me, it's just good to know that as great as Pat is, he's as humble as they come to be taught by a Brazilian jazz giant such as Mr. Horta himself...you gotta love it. I could go into more detail on my point, but I'm eating and listening....heh
Modes9 (November 30, 1999 at 12:00 am)
Toninho is every bit as great in his way as Allan Holdsworth, Frank Gambale, or Pat Metheny are in theirs. Everyone compares him to Metheny, but he actually has more in common with Mick Goodrick. They both play fingersyle and are more concerned with the quest for cool voicings and progressions than blazing single-note solos.

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